Journo Portfolio Logo

Letterboxd

Letterboxd is a social platform for sharing your taste in film. Use it as a diary to record your opinion about films as you watch them, or just to keep track of films you’ve seen in the past. Rate, review and tag films as you add them. Find and follow your friends to see what they’re enjoying. Keep a watchlist of films you’d like to see, and create lists/collections on any topic.

← Back to all Publications

Featured Writers

profile picture

Jacob Beard

After earning my bachelor's degree in political science and women's and gender studies, I decided to pursue a career in digital marketing and the gaming industry at large. I am …

View Portfolio
profile picture

@cinephilebuff

a professional babbler about film + television.

View Portfolio
profile picture

Nolan Russell

Passionate writer specializing in the sports & entertainment industries

View Portfolio
profile picture

John Walker

View Portfolio
profile picture

Carlos Crespo Castillo

Crítica y ensayo cultural.

View Portfolio
profile picture

Ian Dziura

Ian is a technical writer who also writes for magazines and publications. His pieces tells stories you haven't heard about music and pop culture you have heard.

View Portfolio

Latest Articles

A ★★★ review of Transformers: Age of Extinction (2014)

Michael Bay uses his sunburnt, hopped-up-on-energy-drinks franchise of murderous giant toys to portray the fight for America's soul as one fought between the evil and the useless, while the whole world suffers the destructive consequences, allies are betrayed and innocents are crushed.A master visualist even when he obviously couldn't care …
By Staff writer, copy editor and film reviewer
• Letterboxd

No Place Like Home: Walter Salles and Fernanda Torres on time-traveling to honor the family of I’m Still Here • Journal • A Letterboxd Magazine

It took Walter Salles twelve years to return to narrative filmmaking and sixteen to be back in his home country of Brazil, but I’m Still Here is worth the wait. As I write this, the director has just made history by helming the first-ever Brazilian film to be nominated for …
By Rafa Sales Ross
• Letterboxd

Breaking the Rules: wrestling with the impact of Fincher’s searing study of masculinity and anti-capitalism 25 years on • Journal • A Letterboxd Magazine

I know, I know. The first rule of Fight Club is that you don’t talk about Fight Club. But, guess what? A special occasion asks for some rule-breaking, and what better way to honor David Fincher’s subversive 1999 classic than to celebrate its 25th anniversary by bending the law a …
By Rafa Sales Ross
• Letterboxd

Do Not Expect Too Much from the End of the World (2023)

Following a young, put-upon assistant (and Andrew Tate parody influencer on the side) at a media agency going through the soul-crushing process of casting a workplace safety documentary for a multinational company, starring one of their own employees who suffered a life-altering injury, Radu Jude paints a mesmerizing picture of …
By Staff writer, copy editor and film reviewer
• Letterboxd

The Brady Rave: taking in the rapturous first reactions to Brady Corbet’s The Brutalist • Journal • A Letterboxd Magazine

Corbet’s first feature film since 2018’s Vox Lux spans 30 years in the life of Adrien Brody’s László Tóth, a Jewish architect who left his native Hungary for the United States to escape the horrors of the Holocaust. The Brutalist chronicles Tóth’s quest to reunite with his beloved wife Erzsébet …
By Rafa Sales Ross
• Letterboxd

A ★★★★★ review of An Elephant Sitting Still (2018)

Fracture puntuates industrial China and sorrow its residents in Hu Bo's An Elephant Sitting Still. Melancholy seeps through the crevices and goes unnoticed as a slumber plagues the toxic society Bo's protagonists wish to escape. In an effort to explore the surrender of identities, Bo manages to miraculously craft an …
By Vibhooti Tiwari
• Letterboxd

Caption This: the subtitling champions working to make festivals, screenings and global cinema more accessible • Journal • A Letterboxd Magazine

Sundance’s first entirely virtual edition in 2021 awarded Siân Heder’s CODA with the US Grand Jury Prize: Dramatic plus accolades for Directing, Audience and the Special Jury Prize for Ensemble cast. The coming-of-age film about the only hearing member of a deaf family began its groundbreaking run during the festival, …
By Rafa Sales Ross
• Letterboxd